"From Rembrandt to Vermeer" deals with the most outstanding works of the Golden Age of Flemish and Dutch art and offers a splendid selection of pictures belonging to the most important collection of seventeenth-century Flemish and Dutch paintings in the world, that in the Gemaldegalerie in Berlin. It includes such masterpieces as "The Money Changer" and the "Portrait of Hendric...(展开全部)

达尼埃尔•阿拉斯，1944年生于阿尔及尔，2003年卒于巴黎，是西方当代著名的艺术史家。早年就读于法国高等师范学院，后曾为罗马法国学院成员，并担任法国高等社会科学院研究部历史及艺术理论中心主任。阿拉斯的研究以绘画为主，特别是意大利16世纪和17世纪的艺术作品；此外，他也关注17世纪的荷兰画派及18世纪的法国绘画，并在晚年展开对于西方当代艺术的研究。著作包括《细节：为了建立一部靠近绘画的历史》《矫饰主义的文艺复兴》《莱奥纳多•达•芬奇：世界的节奏》《意大利的天使报喜图》《安塞姆•基弗》《我们什么也没看见》《绘画史事》《拉斐尔的异象灵见》等。 刘爽，中央美术学院人文学院讲师，美术学博士，主要从事“东西方艺术交流（15—18世纪）”“跨文化美术史”的研究工作。2016年曾作为访问学者，前往意大利博洛尼亚大学(Università di Bologna)深造...(展开全部)

The first publication to explore in depth the theme of reclusion in painting and calligraphy within the context of political and social changes in 17th-century China. Reclusion--the act of disengaging from worldly affairs for spiritual and moral cleansing--was a concept deeply associated with ancient Chinese civilization. The theme of reclusion was especially prevalent during t...(展开全部)

The first publication to explore in depth the theme of reclusion in painting and calligraphy within the context of political and social changes in 17th-century China. Reclusion--the act of disengaging from worldly affairs for spiritual and moral cleansing--was a concept deeply associated with ancient Chinese civilization. The theme of reclusion was especially prevalent during t...(展开全部)

A renowned scholar of Islamic art, history and culture, Oleg Grabar introduces in this book a wide range of illuminated manuscript masterpieces from the eighth to the seventeenth century. The heroes of grand epics such as Alexander the Great are found side-by-side with mythical monarchs, sultans, and even monsters. Illuminated manuscripts of the Koran, epic poetry, and scientif...(展开全部)

This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next trac...(展开全部)

This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next trac...(展开全部)

梅爾清（Tobie Meyer-Fong） 美國約翰霍普金斯大學歷史學系教授，東亞研究所主任。主要研究清朝歷史，研究方向包括城市史、文化史、社會史和女性史。曾於2007-2018年擔任《清史問題》（Late Imperial China）期刊主編。曾著有《清初揚州文化》一書。 審訂者簡介 郭劼 美國南卡羅萊納大學語言文學與文化系副教授。 譯者簡介 蕭琪 國立臺灣師範大學歷史學系碩士、國立臺灣大學歷史學系博士候選人。主要研究明代史，研究興趣為性別、禮制、醫療與社會文化史。著有《父母等恩：《孝慈錄》與明代母服的理念及其實踐》、〈評熊秉真，《幼醫與幼蒙：近世中國社會的緜延之道》〉。 蔡松穎 國立臺灣師範大學歷史學系碩士、國立臺灣大學歷史學系博士候選人。把歷史學當作遊戲在玩，努力探究其博大精深中。喜歡邊陲、少數，以及勇於和高牆對抗的雞蛋們。

The Taiping Rebellion was one of the costliest civil wars in human history. Tens of millions of people lost their lives, as Chinese rebels, imperial armies, and local militias clashed across the Yangzi Delta. Yet while the Rebellion has been intensely studied, we still know little of how individuals coped with these cataclysmic events. Drawing upon a rich array of primary sourc...(展开全部)

The Taiping Rebellion was one of the costliest civil wars in human history. Tens of millions of people lost their lives, as Chinese rebels, imperial armies, and local militias clashed across the Yangzi Delta. Yet while the Rebellion has been intensely studied, we still know little of how individuals coped with these cataclysmic events. Drawing upon a rich array of primary sourc...(展开全部)